Sigrid Undset
(20 May 1882 – 10 June 1949) was a Norwegian novelist who was awarded the Nobel Prize for Literature in 1928.
Undset was born in Kalundborg, Denmark, but her family moved to Norway when she was two years old. In 1924, she converted to Roman Catholicism. She fled Norway for the United States in 1940 because of her opposition to Nazi Germany and the German occupation, but returned after World War II ended in 1945.
Her best-known work is Kristin Lavransdatter, a trilogy about life in Scandinavia in the Middle Ages, portrayed through the experiences of a woman from birth until death. Its three volumes were published between 1920 and 1922. Undset's Nobel Prize was awarded partly for this work, and partly for her four-volume work The Master of Hestviken, published between 1925 and 1927 and dealing with similar themes.
While employed at office work, Sigrid Undset wrote and studied. She was 16 years old when she made her first attempt at writing a novel set in the Nordic Middle Ages. The manuscript, a historical novel set in medieval Denmark, was ready by the time she was 22. It was turned down by the publishing house.
All the same, two years later she had completed another manuscript; much less voluminous this time, only 80 pages. She had put aside the Middle Ages, and had instead produced a realistic description of a woman with a middle-class background in contemporary Kristiania. This book was also refused by the publishers at first, but it was subsequently accepted. The title was Fru Marta Oulie, and the opening sentence scandalised the readers: "I have been unfaithful to my husband".
Thus, at the age of 25, Sigrid Undset made her literary debut with a short realistic novel on adultery, set against a contemporary background. It created a stir, and she found herself ranked as a promising young author in Norway. During the years up to 1919, Undset published a number of novels set in contemporary Kristiania. Her contemporary novels of the period 1907–1918 are about the city and its inhabitants. They are stories of working people, of trivial family destinies, of the relationship between parents and children. Her main subjects are women and their love. Or, as she herself put it—in her typically curt and ironic manner – "the immoral kind" (of love).
This realistic period culminated in the novels Jenny (1911) and Vaaren (Spring) (1914). The first is about a woman painter who, as a result of romantic crises, believes that she is wasting her life, and in the end commits suicide. The other tells of a woman who succeeds in saving both herself and her love from a serious matrimonial crisis, finally creating a secure family. These books placed Undset apart from the incipient women's emancipation movement in Europe.
Undset's books sold well from the start, and after the publication of her third book, she left her office job and prepared to live on her income as a writer. Having been granted a writer's scholarship, she set out on a lengthy journey in Europe. After short stops in Denmark and Germany, she continued to Italy, arriving in Rome in December 1909, where she remained for nine months. Undset's parents had had a close relationship with Rome, and during her stay there she followed in their footsteps. The encounter with Southern Europe meant a great deal to her; she made friends within the circle of Scandinavian artists and writers in Rome.

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